Chitose Abe gets better with each season that passes and it’s pretty exciting to see her signature techniques developing before our eyes. Her talent for de/reconstruction only grows more powerful as time goes on and I love how she is pulling it off with currently. The proportions, details and mix of materials are all so gorgeously odd; she’s combining unlikely patterns and fabrics and while the result isn’t subtle, it is not overbearing either; she’s got a lot of finesse for what it is that she does. Another thing I admire about her is how she seems to keep femininity a priority, by way of her precious detailing and fabrics, despite experimenting heavily with structure and silhouette.
Monday, November 2, 2009
sacai Spring 2010
Chitose Abe gets better with each season that passes and it’s pretty exciting to see her signature techniques developing before our eyes. Her talent for de/reconstruction only grows more powerful as time goes on and I love how she is pulling it off with currently. The proportions, details and mix of materials are all so gorgeously odd; she’s combining unlikely patterns and fabrics and while the result isn’t subtle, it is not overbearing either; she’s got a lot of finesse for what it is that she does. Another thing I admire about her is how she seems to keep femininity a priority, by way of her precious detailing and fabrics, despite experimenting heavily with structure and silhouette.
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