Wednesday, December 23, 2009
Saturday, December 19, 2009
Aski Kataski F/W 09.10 pieces
Another one of my favorite 'newer' designers, Katsuhiro Makino, also has the great ability to produce pieces that are a world of intrigue on all their own. I am never really a fan of his lookbook images - not because the styling isn't great and not that the pieces don't always look covetable - it's just that they leave the viewer with only a vague 'feel' for his overall style... and not a chance to really admire his pieces for what they really are.
The organic feel, plus the celestial overall designs, it's really special. I adore his color palette and his craftsmanship; his pieces feel honest and have such a slight of hand quality that I'm so attracted to. They are not over-the-top at all or shocking aesthetically, but the amount of magic that lies within the materials, detailing, proportions - it's enough to leave one in awe. I hope that the brand will start seeing a surge in retail interest soon, much like I do with Takayuki's.
The organic feel, plus the celestial overall designs, it's really special. I adore his color palette and his craftsmanship; his pieces feel honest and have such a slight of hand quality that I'm so attracted to. They are not over-the-top at all or shocking aesthetically, but the amount of magic that lies within the materials, detailing, proportions - it's enough to leave one in awe. I hope that the brand will start seeing a surge in retail interest soon, much like I do with Takayuki's.
Suzuki Takayuki S/S 10 pieces
Though the styling on his collections is always special and does a nice job of showcasing just how amazing his work looks layered upon itself, sometimes Takayuki's work is best admired in a solitary manner. He is a rare soul; it is few and far between when a designer comes along and has such an undeniable enchantment, dripping off of their every garment.
While I'm a huge fan of the element of protection within clothing, the vulnerability and delicate overtones in Takayuki's work are eternally endearing and comforting in their own right. The fabrics and techniques he employs are thoughtful on every level, yet emit such a dreamy ease. His pieces feel amazing on the skin and look gorgeous when layered... but the most special aspect is that even in their solitude, the garments tell their own eloquent story.
Friday, December 18, 2009
Anne Valérie Hash Haute Couture Spring 2004
Much like the Kokosalaki post, this one is a testament to the genius AVH unveiled to us in the past. Her S/S 10 collection was pretty nice, but it's still such a far cry from the poetic, billowing yet restrictive clothing she's shown us in seasons such as this S/S 04 one. I mean, it's truly a dream; perfect silhouettes, brilliant textures, flawless proportions and the heavenly styling.
I always wonder if the switching of aesthetics and if the shifting down their overwhelming creativity is a conscious one or just a natural progression for the designer. I understand all too well the need to shed an old skin and move in a new direction, so perhaps it is trite to question the switch in a designer's output. Even if she never revisits this style, I guess I can only appreciate and be thankful to be able to look back upon the collections like this that she's graced us with.
I always wonder if the switching of aesthetics and if the shifting down their overwhelming creativity is a conscious one or just a natural progression for the designer. I understand all too well the need to shed an old skin and move in a new direction, so perhaps it is trite to question the switch in a designer's output. Even if she never revisits this style, I guess I can only appreciate and be thankful to be able to look back upon the collections like this that she's graced us with.
Labels:
anne valérie hash,
haute couture,
paris,
s/s 04,
s/s 04 HC,
spring 2004
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